Haydn: Piano Concertos Nos. 3, 4 & 11

�Hamelin and Les Violons du Roy play that gypsy finale [of the D major Concerto] with irresistable verve...If there's an incongruity between the sound of Hamelin's modern piano and that of the period-band that accompanies him, it's one that's easy to get used to...it's hard not to enjoy Hamelin's showmanship and the eloquence of his slow movements is an added bonus.� --BBC Music Magazine, May 2013 ****

�Hamelin could probably hum these concertos into a battered plastic kazoo and they�d still sound great. Everything works. There�s the requisite dynamism and energy, coupled with a superhuman lightness of touch...Hyperion�s sound is beyond reproach. Another entry in my provisional "Best of 2013" list.� --The Arts Desk, April 2013

�[in the F major] Hamelin weaves an enchanting spell, approaching an almost Mozartian pathos...[in the finale of the D major] he pushes forward without dropping the tempo, heightening the delirium of this whirling gypsy dance. Add to that some unmarked col legno earlier in the same movement for an authentic touch of Hungarian paprika and the result cannot fail to raise a smile.� --Gramophone Magazine, May 2013

�Hamelin�s songful legato in the F major�s largo cantabile and bravura in the presto finales make the strongest possible cases for these works, and I don�t know a more exhilarating account of the D major � but it ought to be the disc�s climax.� --Sunday Times, 21st April 2013