Tampilkan postingan dengan label Geminiani Francesco. Tampilkan semua postingan
Tampilkan postingan dengan label Geminiani Francesco. Tampilkan semua postingan

Minggu, 24 November 2013

Affettuoso


�Percan is an extremely capable violinist. Playing a modern Baroque-style instrument by Johannes Loescher, he makes a fine, bright, ringing tone, and many of the quicker movements sound brilliant and inspiriting. But I miss the close engagement with details of phrasing...One can imagine Piani's music appearing more strongly engaging, then, but Percan has certainly shown us how worthwhile and effective it is.� --Gramophone, August 2012




Giovanni Antonio Piani (1678�1760) was one of the most important violinists of the Baroque and his reputation, today, rests upon the surviving 12 sonatas of his Op.1 set published in 1712 (all his other works are lost). In an unusually long and detailed preface to the sonatas, Piani provided highly detailed instructions on bowing, fingering, dynamics, ornamentation and tempi. In effect, this is the most detailed instruction manual for students of the Baroque violin and the performance practice of the day. Piani worked in Paris and Vienna, and is one of the key figures in the French violin school from Lully to Viotti.

Emilio Percan, a member of l�arte del mondo (ONYX4068), has programmed four Piani sonatas with two contemporary London-based masters � Geminiani and Handel, whose late and great Sonata in D is a masterwork of the late Baroque. Piani�s music is beautifully crafted and melodic and his works on this CD are receiving their world premiere recordings whilst Percan�s advocacy of these superb and little-known sonatas should be of interest to those who love Baroque music.

Sabtu, 23 November 2013

Geminiani: Sonatas for Violoncello & Basso Continuo

"Debut solo album from cellist Alison McGillivray exploring the music of Francesco Geminiani. "This is a stellar release, full of discrete pleasures for the discerning listener." --Classical Source

The Italian violinist and composer Francesco Geminiani belongs to the generation of Bach and Handel. He studied in Rome with the violinist-composer Arcangelo Corelli and the opera-composer Alessandro Scarlatti. In 1714 he moved to London, where he soon established himself as a performer and composer, later publishing a number of theoretical works on performance techniques and on harmony. He visited Ireland on various occasions and died in Dublin in 1762.