There�s no doubt as to which of these new Bruckner Ninths is the more seductive. The playing of the Vienna Philharmonic under Claudio Abbado is of exceptional sensuous beauty and technical refinement, and the recording serves it well. Rather than creating an idealised conductor�s perspective, the placing of the microphones gives the listener the impression that he or she is hearing the performance from a good seat in the auditorium (with only the horns slightly recessed). In Abbado�s performance the music unfolds naturally and inevitably: tempi controlled but supple enough to prevent rigidity. --Stephen Johnson, BBC Music Magazine
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