"Il Giardino Armonico are as Italian as the music itself� brightly coloured, individualistic, confident, stylish, arrestingly decorated, bubbling with enthusiasm." Gramophone
��generally intoxicating performances of Handel's most masterful instrumental compositions. �much of the credit for the intricate passagework and dynamic excitement must be given to fiddler Enrico Onofri, whose playing sparkles with articulate energy. The plunging interplay between concertino and ripieno groups is exhilarating.� --Gramophone Magazine, April 2009
��generally intoxicating performances of Handel's most masterful instrumental compositions. �much of the credit for the intricate passagework and dynamic excitement must be given to fiddler Enrico Onofri, whose playing sparkles with articulate energy. The plunging interplay between concertino and ripieno groups is exhilarating.� --Gramophone Magazine, April 2009
�One can overlook a few of Il Giardino Armonico's eccentricities to listen to some generally intoxicating performances of Handel's most masterful instrumental compositions. Much of the credit for the intricate passagework and dynamic excitement must be given to fiddler Enrico Onofri, whose playing sparkles with articulate energy. The plunging interplay between concertino and ripieno groups is exhilarating.
The Polonaise in No 3 is astonishingly robust, with its droning bass thrashed out; it certainly brings out the daring brilliance of Handel's musical imagination, though it seems rather short on the pastoral charm that the composer surely intended. The opening Largo and Allegro of No 5 possess panache and the opening of No 10 is tautly dramatic, but one misses the airy wit that such music may also convey.
Il Giardino Armonico's playing is never clumsy but incisive muscular approaches in contrapuntal movements seem overly severe. It is possible to find a more measured elegance and shapely sentimentality in Handel's music, but there is plenty of highly spiced food for thought served by Il Giardino Armonico.� Gramophone Classical Music Guide, 2010
The Polonaise in No 3 is astonishingly robust, with its droning bass thrashed out; it certainly brings out the daring brilliance of Handel's musical imagination, though it seems rather short on the pastoral charm that the composer surely intended. The opening Largo and Allegro of No 5 possess panache and the opening of No 10 is tautly dramatic, but one misses the airy wit that such music may also convey.
Il Giardino Armonico's playing is never clumsy but incisive muscular approaches in contrapuntal movements seem overly severe. It is possible to find a more measured elegance and shapely sentimentality in Handel's music, but there is plenty of highly spiced food for thought served by Il Giardino Armonico.� Gramophone Classical Music Guide, 2010
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