�The conducting is intelligently alive, in quality reminiscent of Benjamin Britten...Pires enters into the prevailing mood, her artistry as thougthful as yore...Pires shows that expressive sensitivity isn't confined to a slow tempo...Reduced forces might have enhanced the concerto's intimate character. It's a small point. These absorbing, penetrating performances deserve the widest currency.� --Gramophone Magazine, January 2013
�it is the autumnal Concerto No. 27...that is perhaps better suited to the understated poetic eloquence of Maria Joao Pires's playing than the more overtly dramatic Concerto No. 20...Abbado and his Orchestra Mozart offer fine support in both Concertos, and the performances as a whole have an elegance that cannot fail to give pleasure.� --BBC Music Magazine, January 2013 ****
�From the first moment, the performance has a quality that characterizes the entire recording: a perfect balance between musical, textural and rhythmic precision and all of the mood and atmosphere that the music requires� --International Record Review, December 2012
�[K595] has a strange, veiled, ethereal quality, an air of difference from the others, well brought out by Pires, with Abbado and his fine players. By contrast, the opening of the D minor sounds rather tame...The other two movements are much more convincing.� --Sunday Times, 16th December 2012
�From the first moment, the performance has a quality that characterizes the entire recording: a perfect balance between musical, textural and rhythmic precision and all of the mood and atmosphere that the music requires� --International Record Review, December 2012
�[K595] has a strange, veiled, ethereal quality, an air of difference from the others, well brought out by Pires, with Abbado and his fine players. By contrast, the opening of the D minor sounds rather tame...The other two movements are much more convincing.� --Sunday Times, 16th December 2012
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